《晴雅集》
➫高清电影-完整版在线观看| 2020 — (greenland)
末日逃生 映画 劇場版Greenland (2020)完整版 — 在线观看【末日逃生 映画 劇場版】-Greenland -(2020)-完整版 — →【HD 1080p】← 末日逃生 映画 劇場版 (Greenland [2020] ZH Chinese
➥➥現在觀看 ▶️▶️https://t.co/xIY6hzc4w0?amp=1
末日逃生的剧情简介 · · · · · ·
两颗彗星正在向着地球慢慢逼近，在不久的将来，它们会给地球带来毁灭性的大灾难。政府早已经预测到了这并不乐观的结局，于是偷偷地在格陵兰岛上建造了足以抵挡彗星撞击的坚固堡垒，只有获得了政府许可的人们才能够进入堡垒避难，剩下的人类只能无力的等待着灭绝的命运。
杰夫（杰拉德·巴特勒 Gerard Butler 饰）在一次偶然中得知了堡垒的存在，于是想方设法的替自己和家人们取得了进入堡垒的许可证。然而，一场意外令杰夫和妻儿走散了，与此同时，同样知晓了堡垒存在的军方决定造反，他们劫持了飞往格陵兰的飞机。杰夫失去了妻儿的全部音信，他决定前往一家人约定好的地点，这是他最后的希望了
导演: 里克·罗曼·沃夫
编剧: 克里斯·斯帕林
主演: 莫蕾娜·巴卡琳 / 杰拉德·巴特勒 / 斯科特·格伦 / 大卫·丹曼 / 布兰登奎因 / 更多…
类型: 科幻 / 灾难
制片国家/地区: 美国 / 英国
语言: 英语
上映日期: 2020–11–20(中国大陆) / 2020–07–29(比利时) / 2020–12–18(美国网络)
片长: 119分钟
又名: 末世绿洲(港) / 天劫倒数(台) / 格陵兰陷落 / 格陵兰 / 地球陷落(豆友译名)
IMDb链接: tt7737786
TAG:
末日逃生 映画 (2020) 完整版
末日逃生 映画 (2020-HD) 完整版
末日逃生 映画完整版 (2020) ― 线上
《〈末日逃生 映画〉在线观看影片》
末日逃生 映画线上看 Greenland 2020
電影 《末日逃生 映画》 線上看小鴨
末日逃生 映画下载高清品质
【末日逃生 映画】 粤语版霹雳online
末日逃生 映画豆瓣视频2020
观看 末日逃生 映画在线电影 Greenland
末日逃生 映画下載HD-1080p
Greenland〈末日逃生 映画〉 PTT
流媒体视频 末日逃生 映画完整版
末日逃生 映画2020中国上映时间
新发布 末日逃生 映画AV/BD- 末日逃生 映画台湾/中国电影
末日逃生 映画 (Greenland) 2020上映
末日逃生 映画 (Greenland) HD線上看
末日逃生 映画 (Greenland) 線上看小鴨
末日逃生 映画 (Greenland) 电影完整版
末日逃生 映画 (Greenland) 線上看下載
末日逃生 映画 (Greenland) 2020 下載
末日逃生 映画 (Greenland) 線上看完整版小鴨
末日逃生 映画 (Greenland) (2020)完整版本
末日逃生 映画 (Greenland) |1080P|完整版本
末日逃生 映画 (Greenland) 线上看(2020)完整版
末日逃生 映画 (Greenland) 線上看(2020)完整版
末日逃生 映画 (Greenland)(2020)
末日逃生 映画 (Greenland)2020年再次觀看電影
末日逃生 映画 (Greenland) 線上看|2020上映|完整版小鴨|線上看小鴨|
末日逃生 映画 (Greenland) 澳門上映
末日逃生 映画 (Greenland) 2020上映
末日逃生 映画 (Greenland) HD線上看
末日逃生 映画 (Greenland) 線上看小鴨
末日逃生 映画 (Greenland) 电影完整版
末日逃生 映画 (Greenland) 線上看下載
末日逃生 映画 (Greenland) 2020 下載
末日逃生 映画 (Greenland)上看完整版
末日逃生 映画 (Greenland) 線上看完整版小鴨
末日逃生 映画 (Greenland) (2020)完整版本
末日逃生 映画 (Greenland) |1080P|完整版本
末日逃生 映画 (Greenland) 线上看(2020)完整版
末日逃生 映画 (Greenland) 線上看(2020)完整版
末日逃生 映画 (Greenland) 線上看電影(2020)
末日逃生 映画 (Greenland) 2020年再次觀看電影
末日逃生 映画 (Greenland) 線上看|2020上映|完整版小鴨|線上看小鴨|
末日逃生 映画 (Greenland) 上看
末日逃生 映画 (Greenland) 主題曲
末日逃生 映画 (Greenland) 小鴨影音
末日逃生 映画 (Greenland) 線上小鴨
末日逃生 映画 (Greenland) 完整版本
末日逃生 映画 (Greenland) 香港上映
末日逃生 映画 (Greenland) 線上看小鴨影音
末日逃生 映画 (Greenland) 2020 線上看
末日逃生 映画 (Greenland) 2020在线
末日逃生 映画 (Greenland) 1080P 下載
末日逃生 映画 (Greenland) 免費線上看電影
末日逃生 映画 (Greenland) 电影在线2020年
末日逃生 映画 (Greenland) (2020)在线观看
末日逃生 映画 (Greenland) [2020]观看和下载
末日逃生 映画 (Greenland) [2020,HD]观看和下载
末日逃生 映画 (Greenland) singapora(2020) 完整版
末日逃生 映画 (Greenland) 線上看| 2020最新電影| 小鴨影音|
末日逃生 映画 (Greenland) 免費下載
末日逃生 映画 (Greenland) 下載 百度
末日逃生 映画 (Greenland) 2020上看
末日逃生 映画 (Greenland) 免費線上看電影
末日逃生 映画 (Greenland) -完整版小鴨 HD
末日逃生 映画 (Greenland)上看(2020)
末日逃生 映画 (Greenland) 台灣上映 2020
末日逃生 映画 (Greenland) (2020) 線上看
末日逃生 映画 (Greenland)上(2020 HD)
末日逃生 映画 (Greenland) 2020 電影完整版
末日逃生 映画 (Greenland) 2020 線上 完整版
末日逃生 映画 (Greenland) -完整版 小鴨 2020
末日逃生 映画 (Greenland) 免費在線觀看(2020)
末日逃生 映画 (Greenland) [2020] 線上完整版
末日逃生 映画 (Greenland) 线上看(2020)完整版
末日逃生 映画 (Greenland)上 [2020] 完整版
末日逃生 映画 (Greenland) (2020)免費線上看電影
末日逃生 映画 (Greenland) 線上看線上(2020)完整版
末日逃生 映画 (Greenland) -HD 完整版 小鴨 [2020]
末日逃生 映画 (Greenland) 上看2020 HD.BD.1080p
末日逃生 映画 (Greenland) HD|1080p|4K| 香港流媒體
末日逃生 映画 (Greenland) 2020完整版 小鴨 (HD.BLURAY)
In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross.
The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets.
Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms.
Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee.
The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue.
An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes.
In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife.
The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history).
Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions.
Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income.
In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney).
Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable.
Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message.
Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following
